Ebook Download A First Course in Statistical Programming with RBy W. John Braun, Duncan J. Murdoch

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This is the only introduction you'll need to start programming in R, the open-source language that is free to download, and lets you adapt the source code for your own requirements. Co-written by one of the R Core Development Team, and by an established R author, this book comes with real R code that complies with the standards of the language. Unlike other introductory books on the ground-breaking R system, this book emphasizes programming, including the principles that apply to most computing languages, and techniques used to develop more complex projects. Learning the language is made easier by the frequent exercises and end-of-chapter reviews that help you progress confidently through the book. Solutions, datasets and any errata will be available from the book's web site. The many examples, all from real applications, make it particularly useful for anyone working in practical data analysis.

• Sales Rank: #765949 in eBooks
• Published on: 2007-12-13
• Released on: 2007-12-13
• Format: Kindle eBook

Review
"While it is rare to see in a book, denseness does not have to be difficult and this book is an example of that. The authors are terse and effective as they clearly demonstrate how to use the R package. If you lack the budget for the purchase of a commercial computational mathematics package, then R with this textbook provides a very low cost alternative for many classes."
Charles Ashbacher, Journal of Recreational Mathematics

" a useful introductory text..."
Andrew Schaffner, The American Statistician

"As an R novice, I appreciated the explanations. Several times, I reacted with 'Oh, that's how it is supposed to be done.' ... I like this book and I learned a lot. I am convinced that most readers (including regular R users and mature statisticians) will learn something useful from this book. Again, it is not a book for learning statistical data analysis in R, but it is the right book for a statistician to learn the structure of R, and it is a good book to study before (or after) learning data analysis. I highly recommend this book."
Myron Hlynka, Technometrics

About the Author
W. John Braun is an Associate Professor in the Department of Statistical and Actuarial Sciences at the University of Western Ontario. He is also a co-author, with John Maindonald, of Data Analysis and Graphics Using R, 2nd edition (Cambridge University Press, 2007).

Duncan J. Murdoch is an Associate Professor in the Department of Statistical and Actuarial Sciences at the University of Western Ontario. He is a member of the R Development Core Team and was columnist and column editor of the statistical computing column of Chance 1999-2000.

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Download Ebook In Defense of the Bush DoctrineBy Robert G. Kaufman

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The terrorist attacks of September 11, 2001, shattered the prevalent optimism in the United States that had blossomed during the tranquil and prosperous 1990s, when democracy seemed triumphant and catastrophic wars were a relic of the past.President George W. Bush responded with a bold and controversial grand strategy for waging a preemptive Global War on Terror, which has ignited passionate debate about the purposes of American power and the nation's proper role in the world. In Defense of the Bush Doctrine offers a vigorous argument for the principles of moral democratic realism that inspired the Bush administration's policy of regime change in Iraq. The Bush Doctrine rests on two main pillars―the inadequacy of deterrence and containment strategies when dealing with terrorists and rogue regimes, and the culture of tyranny in the Middle East, which spawns aggressive secular and religious despotisms. Two key premises shape Kaufman's case for the Bush Doctrine's conformity with moral democratic realism. The first is the fundamental purpose of American foreign policy since its inception: to ensure the integrity and vitality of a free society "founded upon the dignity and worth of the individual." The second premise is that the cardinal virtue of prudence (the right reason about things to be done) must be the standard for determining the best practicable American grand strategy. In Defense of the Bush Doctrine provides a broader historical context for the post–September 11 American foreign policy that will transform world politics well into the future. Kaufman connects the Bush Doctrine and current issues in American foreign policy, such as how the U.S. should deal with China, to the deeper tradition of American diplomacy. Drawing from positive lessons as well as cautionary tales from the past, Kaufman concludes that moral democratic realism offers the most compelling framework for American grand strategy, as it expands the democratic zone of peace and minimizes the number and gravity of threats the United States faces in the modern world.

• Sales Rank: #2627973 in Books
• Brand: Brand: The University Press of Kentucky
• Published on: 2007-05-11
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 6.00" l, 1.14 pounds
• Binding: Hardcover
• 264 pages

Features

• Used Book in Good Condition

Review
"Kaufman's fine book is required reading for thoughtful candidates and citizens alike."―George Weigel, Catholic Exchange

"The best part of Kaufman's book is his critical analysis of alternatives, in U.S. grand strategy, to the Bush doctrine, whose moral democratic realism entails the prudent application of American power to replace dangerous regimes in the Middle East."―Library Journal (starred review)

"A very interesting book, based on a fresh concept of 'moral democratic realism,' that distinguishes Kaufman's work from that of Charles Krauthammer, William Kristol, Robert Kagan, Francis Fukuyama, and others. A helpful and clarifying book."―Michael Novak, coauthor of Washington's God and author of The Spirit of Democ

"In this excellent new book, Kaufman describes the Bush approach to foreign policy as the latest example of what he calls moral democratic realism, an approach he attributes to FDR, Truman, and Reagan as well."―National Review

"This is a very well-grounded defense of the Bush Doctrine. It is scholarly and political in the best sense of both terms. Those who disagree (as I do) will be challenged and informed."―Robert Jervis, author of American Foreign Policy in a New Era

"An important book about the central issue of our time."―Senator Joe Lieberman

"President Bush could use an unapologetic argument for his foreign policy these days, and this is it...[Kaufmann] makes a persuasive case."―The Weekly Standard

"Kaufman offers a much needed, well-reasoned defense of the present Bush doctrine in the Middle East. As Kaufman shows, for all the heartbreak in our present efforts in Iraq, ultimately it remains the best practical and moral course to foster some third way other than either autocracy or theocracy"―Victor Davis Hanson, author of A War Like No Other: How the Athenians and Spart

"Kaufman presents a thoughtful, comprehensive case. It ranks as the most histocially powerful support of Mr. Bush and his doctrine, including the Iraq war."―Washington Times

"The author has compiled, better than anywhere else that I have seen, a systematic explanation of the Bush Doctrine and its moral and historical foundations."―Modern Age, Ted V. McAllister

"Kaufman is passionate without being polemical, and is quite evenhanded, consistently pointing out arguments and examples that disagree with his point of view. This is a provocative book written by a first-rate mind."―John Robert Greene, Historian

"Robert Kaufman's short and provocative book provides and interesting and timely defense of what is perhaps become one of the most contentious concepts in international politics."―Andrew J. Futter, University of Birmingham, Political Studies Review

About the Author
Robert G. Kaufman, professor of public policy at Pepperdine University, is the author of numerous publications, including Henry M. Jackson: A Life in Politics. He is a former Bradley Scholar and current adjunct scholar at the Heritage Foundation.

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Free Ebook Elemental Magic, Volume I: The Art of Special Effects Animation

Free Ebook Elemental Magic, Volume I: The Art of Special Effects Animation

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Elemental Magic, Volume I: The Art of Special Effects Animation

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Review

Now, finally classical effects animation gets its day in the sun with Joseph Gilland's fascinating new book. It's a revelation of the amazing blend of the art and craft behind the magic of this wonderful art form. -Don Hahn, Academy Award-nominated producer of Beauty and the Beast and The Lion King Veteran Disney animator Joe Gilland's informative book delivers, for the first time, the real nitty-gritty on the art of hand-drawn special effects. The mysteries of hos to believably animate abstract forms representing rain, fire, smoke, etc. are revealed in articulate prose, revelatory graphs, and elegantly beautiful sequential imagery. A must-have guide for animation pros, teachers, and students! -John Canemaker, Academy Award-winning animator, internationally-renowned animation historian, and teacher 

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About the Author

In his 32+ year animation career, he has worked with such studios as Walt Disney Feature Animation, Don Bluth Animation, Productions Pascal Blais and the National Film Board of Canada. At Walt Disney Feature Animation, he served as Supervisor of Visual Effects for the Disney features Lilo & Stitch and Brother Bear. At Disney he also served as Head of Special Effects Units for the Disney features Kingdom of the Sun and Tarzan, and was Special Effects Animator on such notable titles as Pocahontas, The Hunchback of Notre Dame, James and the Giant Peach, Hercules and Mulan. He served as Designer and Supervisor for all 2D and 3D visual effects on the television series Silverwing, and Chaotic at Bardel Animation in Vancouver. He has also designed and directed a wide variety of television commercials. Clients include General Motors, CocaCola, Honda, MacDonald's, Gillette, Players Tobacco, Larrouse Dictionaries, and Radio Quebec. For almost three years, he was the Head of animation, and Digital Character animation at the Vancouver Film School. He lectures at animation schools in Canada, Europe and Asia, and has conducted workshops at animation festivals and schools around the world. he is a professional musician and performer as well.He has been writing professionally for over three years now, and has a bi-monthly column in the online Animation World Magazine, entitled 'The Animated Scene' which has an enormous readership around the world. He has also had articles published in Animation Magazine, the world's foremost industry magazine, as well as well as an article in 'Cartoons' The International Journal of Animation.

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Product details

Paperback: 328 pages

Publisher: Focal Press (March 4, 2009)

Language: English

ISBN-10: 9780240811635

ISBN-13: 978-0240811635

ASIN: 0240811631

Product Dimensions:

11 x 0.8 x 8.8 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#207,942 in Books (See Top 100 in Books)

I must preface with saying that I am NOT an artist. I can't draw squat. Even my 5 year old draws better than I can. But, I do have a strong background in physics, having made all A's in college physics, and I've always been fascinated, to a certain extent, with the how forces effect various objects and liquids. This book delves into the study of the physical nature of the sequence of events of how solids, liquids, gasses or those somewhere in-between those three stages change due to various forces put upon them either externally or internally, and how to artistically depict such changes accurately. It becomes clear very soon that it would take many hours to re-create in exact replication the great detail, for example, of a wicker/reed woven cabinet. So instead of spending hours slavishly drawing out the hundreds of minute details of it, the author succinctly tells you how to take the most obvious elements of the subject and bring them out while not drawing the millions of other details that also occur. The eye still sees the drawn object in full detail though it is only drawn in partial detail.I also thought this was a computer graphics program and was at first disappointed to find it was a book instead. However, my feelings about that soon changed as I read through the pages and observed the carefully explained reasons how certain things flow....a smoke flume for example, and how to draw such an event so that it doesn't take hours to do, but in a much shorter amount of time and with only enough detail to make it very realistic looking. The author very interestingly explains how to draw the necessary details in the right proportions and how to avoid errors such as drawing, for example, too big and out-of-proportion water rings radiating away from a stone tossed into a pool of water. Step by step diagrams are frequently given so that you can visually see each individual stage of a physical event occurring from glass breaking, to different viscosity liquids splashing, as well as many other natural events including some man-made events such as draping cloth folds.I can't help but feel that if you are an aspiring artist, or even an established artist, you cannot go wrong by reading this book. It's so very informative and also simply beautiful to look at. It is a beautiful work of art in itself. I may never actually try to draw any of these, but it satisfies my need to understand more how physical processes work coming from a physics perspective.

I've been hoping for years that someone would write a comprehensive book on 2D effects animation. Something more than the little "how to draw and flapping flag" or "how to make a fire cycle" bits that get tacked on in other animation books.Disney veteran Joseph Gilland has finally given us that first book dedicated to 2D effects animation. He's broken down effects into four broad categories (water/liquids, fire/smoke, props/solid objects and magical effects) and laid out the principles needed to bring them to life on paper.Since every real-world splash and flame is unique, Elemental Magic isn't so much of a "how to draw" type book as it is a "how to approach" book. Gilland breaks down the basic behaviors of different types of matter and the working methods needed for an animator to capture the dynamic essence of an effect without being tied to a hyper-real style or getting bogged down in an unmanageable level of detail.And this book doesn't solely apply to hand-drawn effects. Each section on a type of matter includes several pages on how to apply these classical animation principles to digital effects work. How to get the most out the computer's ability to do the heavy lifting on effects.Hopefully this isn't the last book ever published on 2D effects animation. Gilland himself mentions that he's only scratching the surface with this book and that water, smoke or any other element could warrant a full volume treatment.I hope someone takes him up on that offer, and with Elemental Magic we now have a solid foundation to build on.

 Special Effects (SFX) is as old as Cinema. Any and all methods have been used to simulate effects in live action as well as animation films.This book and its sequel gives this unique art a detailed treatment that is long overdue. It is essential in teaching art not to focus too much on How to do 'this', How to do 'that' etc. It is always easy to teach that. But art is about creativity and not about repeating something like one does in an assembly line. More so in this niche domain of Special effects which is at the same time as much of a science as art.This book deals it the right way by introducing the reader to the approaches of special effects, beginning with early attempts at animation special effects. A great amount of detail is provided in the study of the elements, and how it gets integrated into an effect. One begins to appreciate how much the study, observation of the real world in extreme detail is an essential ingredient of understanding effects.The book equips the reader with all the mental tools needed to get started on a journey, where one goes into his/her own path of exploration, study, experimentation and producing Effects. Instead of merely showing, say, how to make smoke.The study of Effects animation, is in essence a study of natural phenomena. Hence wast.For instance when we say water it implies... (I quote from the book:) Splashes, Ripples, Waves, Bubbles, Fountains, White water, Geysers, Water hoses, Raindrops, Rivers, Waterfalls, Oceans, Ice, Snowflakes, Avalanches and Slush !! Whoa!.. You get the point!This volume deals with two categories.(1) Liquid(2) Fire, Smoke and ExplosionsThe author uses a very very simple, clear and lucid language, breaks down the process ever so slowly, with enough examples, time and explanations that aid in the assimilation of the subject.Since the treatment is at a fundamental level, what one learns forms the foundation for any medium.

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Download Melanin: The Chemical Key To Black GreatnessBy Carol Barnes

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• Sales Rank: #2835957 in Books
• Published on: 1995
• Binding: Paperback

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